Hawk London has now expanded its rental catalogue including all major Cinema Camera Accessories to complete the ultimate camera package for your production needs.
The ARRI Hi-5 is the most sophisticated hand unit on the market, providing reliable wireless camera and multi-axis lens control. Weatherproof and solidly built, it features an exceptional radio link range and unique, swappable radio modules for different territories and shooting challenges.
Hi-performance I Hi-versatility I Hi-speed I Hi-tech I Hi-reliability
The Cine RT System is one of the most popular distance reference tools available to professional focus pullers on the market today and the best ultrasonic cinema rangefinder & transmitter tracking system in its class.
Super Long Distance Transmission:
Up to 1 kilometre transmission distance, 360 degrees. 3km² meets all shooting demands for big productions and outdoor events. With the enhanced signal anti-interruption ability, video quality loss of Storm 3000 is significantly better than others products of the same grade. Storm 3000 allows stable video transmission in extremely complex environments.
Rugged, powerful, and feature-rich, the Ultra 7 offers
2300nits of brightness, 6G-SDI that allow you to ingest
4K signal, a 2-pin power passthrough for cleaner
builds, an Ethernet port for camera control, plus a
joystick and tactile physical buttons for control in any
conditions.
Utilise all your favourite PageOS tools,
functions, and settings pages on a fully loaded 7-inch
touchscreen monitor.
Full HD 7-inch Touchscreen Monitor with DCI-P3 Color and 1800 nits brightness
Professional and expandable on-camera monitor
Display: 7-inch, 1920X1200
Brightness: 1800 nits
SDI: 1x 3G SDI In, 1x 3G SDI In/Out
Power: 2-pin Locking Power Input (10V-34V, 2A DC), Sony Battery Bracket
Vaxis Storm Cine 8 Monitor
V-Mount – 8.9-inch, 4K resolution 2560×1600 pixels, 1500 nits peak brightness – with built-in Storm 3000
High density, low profile.
Model: MON-CINE-13
Display: 13″ 3840 x 2160
Backlight Type: LCD
Display: 13-inch, 3840×2160, 1500nits
SDI: 4x 12G-SDI in, 4x 12G-SDI out
HDMI: 1x HDMI 2.0 in, 1x HDMI 2.0 out
Power Input: 1x 4-pin XLR
Cine 18 4K High-Bright Monitor
Big enough for Video Village. Bright enough for daylight viewing. Lightweight and rugged for challenging locations.
Designed specifically for run & gun, gimbal, Steadicam & aerial use, the Misfit Atom is the definition of lightweight matte boxes.
Suited for a wide range of applications in just one product, the robust but lightweight LMB 4×5 allows for an unprecedented level of flexibility. From a single-filter configuration for gimbals, drones, or Steadicams to clamp-on versions up to rod-mounted solutions, the LMB 4×5 makes short work of challenging situations.
The LMB 6×6 is designed for maximum modularity at a minimum weight and optimised for 6.6 x 6.6 inch filters. The Matte Box can be used with 15 mm and 19 mm studio rod support. The LMB 6×6 can be tilted 10° up and down to avoid unwanted reflections with the optional Swing Away Tilt Module. All common lens diameters are available as clamp adapters to fit the matte box directly to a lens. The LMB 6×6 also features versatile filter stage options, securing loops, and a tray catcher for maximum safety on set.
This expansion set offers owners of an ALEXA 35 Lightweight Set all components required to rig their camera as an ALEXA 35 Production Set (Studio 19mm).
The Sprayoff Milli rain deflectors allow shooting in the rain using a conventional matte box filter tray without stopping the camera to clear the lens. Its designed to be used within an existing matte box, such as ARRI LMB-5, LMB-25 or MB-19.
The Sprayoff rain deflector keeps lenses clear via a high speed rotating clear filter and the entire device slots into a 5.65″ x 4″ (PV) or 5.65″ x 5.65″ (5×5) filter tray and is compatible with ARRI Matte boxes MB18/MB19/MB20.
The Prodigy Air Deflector is the perfect solution for keeping a clear lens. With a simple push of a button, the patented design can be quickly deployed to provide you with the clear shot you need in any condition.
Designed specifically for cine-style lenses, the FF-5 swing arm ensures proper gear position on the focus ring and a lower gear ratio for a more exacting focus pull on smaller-diameter lenses or those with compressed focus scales.
ARRI FF-4 (FF4) studio follow focus basic Unit for film and cine-style lenses includes focus knob left & a Marking Disk
B90CINE-Hotswap
B90CINE
B155CINE
V98MICRO
V150MICRO
One of the strongest , most durable V-Lock batteries, suited for small accessories and RED Cameras.
Fitted with all the bells and whistles…
NAUTICAM ALEXA Mini Housing
HYDROFLEX Aquacam
HYDROFLEX PHANTOM FLEX 4K Aquacam
HYDROFLEX 435 Aquacam
HYDROFLEX 416 Aquacam
HYDROFLEX 16SR3 Aquacam
HYDROFLEX RED DSMC2 Deep Water Housing
HYDROFLEX 435 Deep Water Housing
435 Deep Water Port Extension
6” HYDROFLEX UW SD LCD
HYDROFLEX 435 Top Mount Rig
HYDROHEAD UW Remote Head Flat Base
HYDROFLEX UW Communication System
HYDROFLEX Spray Deflector
Scuba Tank 15l
SL Cine UW Head UW Tripod tall
UW Tripod baby UW Tripod medium UW Head
HYDROFLEX SplashBag Alexa
SCUBACAM Alexa Splash Housing
SCUBACAM Venice Splash Housing
SCUBACAM Alexa Mini Splash Housing
SCUBACAM RED Splash Housing
SCUBACAM 235 Splash Housing
SCUBACAM 416 MK 2 Splash Housing
SCUBACAM 16SR3 Mk 2 Splash Housing
SCUBACAM 16SR3 Splash Housing
SCUBACAM A-Minima Splash Housing
6” SCUBACAM UW SD LCD 5.5“
SCUBACAM UW HD LCD 5“
SCUBACAM UW HD LCD 3”
SCUBACAM UW SD LCD
HYDROPAR 650W Incandescent
HYDROPAR 1000W Incandescent
HYDROPAR 1200W HMI
HYDROFLOW 60 cm
HYDROFLOW 120 cm
HYDROFLOW Split Mask 60 mm
HYDROFLOW Split Mask 120 mm